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Liked It: 3630 votes; ; director: Todd Haynes; genre: Thriller; duration: 2 h 6 Min; Dark Waters is a movie starring Anne Hathaway, Mark Ruffalo, and Tim Robbins. A corporate defense attorney takes on an environmental lawsuit against a chemical company that exposes a lengthy history of pollution.
Author: Gönül Dönmez-Colin Editor: Routledge ISBN: 1317937260 Size: 19, 35 MB Format: PDF, ePub, Mobi Read: 914 Download The first critical and analytical dictionary of Turkish Cinema, this book provides a comprehensive overview of Turkish cinema from its beginnings to the present day. Addressing the lacuna in scholarly work on the topic, this dictionary provides immense detail on a wide range of aspects of Turkish cinema including; prominent filmmakers, films, actors, screenwriters, cinematographers, editors, producers, significant themes, genres, movements, theories, production modes, film journals, film schools and professional organizations. Extensively researched, elaborately detailed and written in a remarkably readable style, the Routledge Dictionary of Turkish Cinema will be invaluable for film scholars and researchers as a reference book and as a guide to the dynamics of the cinema of Turkey. Editor: Reaktion Books ISBN: 1861895836 Size: 14, 86 MB Format: PDF, Mobi Read: 300 Films often act as a prism that refracts the issues facing a nation, and Turkish cinema in particular serves to encapsulate the cultural and social turmoil of modern-day Turkey. Acclaimed film scholar Gönül Dönmez-Colin examines here the way that national cinema reveals the Turkish quest for a modern identity. Marked by continually shifting ethnic demographics, politics, and geographic borders, Turkish society struggles to reconcile modern attitudes with traditional morals and centuries-old customs. Dönmez-Colin examines how contemporary Turkish filmmakers address this struggle in their cinematic works, positing that their films revolve around ideas of migration and exile, and give voice to previously subsumed “denied identities” such as that of the Kurds. Turkish Cinema also crucially examines how these films confront taboo subjects such as homosexuality, incest, and honor killings, issues that have only become viable subjects of discussion in the new generation of Turkish citizens. A deftly written and thought-provoking study, Turkish Cinema will be invaluable for scholars of Middle East studies and cinephiles alike. Author: Sabine Hake Editor: Berghahn Books ISBN: 0857457691 Size: 11, 27 MB Read: 161 In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last two decades. In addition, it intervenes in the theoretical debates about Turkish German culture by engaging with different methodological approaches that originate in film studies. Author: Nilgun Bayraktar ISBN: 1317510739 Size: 13, 73 MB Format: PDF, Docs Read: 531 Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ayşe Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutluğ Ataman, Ursula Biemann, Ergin Çavuşoğlu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders. Author: Patricia Allmer Editor: Columbia University Press ISBN: 0231850085 Size: 12, 84 MB Read: 720 This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The essays employ a variety of current critical methods of analysis, ranging from psychoanalysis and Deleuzean film theory to reception theory and historical analysis. The complete volume offers a major resource on post-war European horror cinema, with in-depth studies of such classic films as Seytan (Turkey, 1974), Suspiria (Italy, 1977), Switchblade Romance (France, 2003), and Taxidermia (Hungary, 2006). Author: Eylem Atakav Editor: Intellect L & D E F A E ISBN: Size: 16, 34 MB Format: PDF Read: 679 This title is part of the 'Directory of World Cinema' series. It includes contributions from some of the leading academics in the field. It features film recommendations from a range of genres for those interested in watching more Turkish cinema. It includes full colour illustrations. It features comprehensive filmography as an index in the first English-language directory of Turkish films. Since the 1990s, filmmakers in Turkey have increasingly explored notions of gender, genre, cultural memory, and national and transnational identity. Taking these themes as its starting point, this book - the first English-language directory of Turkish films - provides an extensive historical overview of the country's cinema since the early 1920s. In chapters organized by genre - such as fantasy and science fiction, contemporary blockbusters, women's films, Istanbul films, and transnational or accented cinema - leading scholars of Turkish cinema offer reflections on the country's most important film movements and filmmakers. Author: Steven Jay Schneider Editor: Fab Press Size: 15, 70 MB Read: 945 This staggering anthology on horror cinema from around the planet includes essays, interviews and hard-to-find facts from an international collection of leading authorities on the world horror phenomenon. Including new work from renowned horror experts Kim Newman, Pete Tombs, Art Black, Mitch Davis, Pam Keesey, Travis Crawford, Ken Hanke and many more, FEAR WITHOUT FRONTIERS also includes interviews with legends of the genre such as Takashi Miike, Reggie Nalder, Nonzee Nimibutr, Jorge Molina, Juraj Herz and Sion Sono. Author: Alan Jones Editor: ISBN: 9781843535218 Size: 13, 97 MB Format: PDF, ePub, Docs Read: 924 The Rough Guide to Horror Movies is a comprehensive guide to the world''s most terrifying films. The guide includes all the icons, from Boris Karloff to Wes Craven and Frankenstein to Freddie Kruger, including classics from Argentina, Pakistan, South Africa and the recent chillers from East Asia. The canon of fifty essential horror movies features The Cabinet of Dr Caligari and Switchblade Romance, via Psycho and The Exorcist. Everything you need to know is covered from festivals, adaptations, magazines and merchandise. The guide tells the stories behind the movies that have scared us throughout the twentieth century. Author: Osian's (Firm) Size: 10, 83 MB Format: PDF, ePub Read: 271 Author: Size: 19, 16 MB Read: 516 Download.
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Great acting but really, we've ALL seen this story before.
This is for the generation who never saw this story before because they weren't around. For those of us who HAVE seen the story before this becomes tired and frankly, the movie is too long.
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I don't pretend this is the best film of 2019, but it is likely the most important - a real must-see for people of all political persuasions (and anybody seriously considering going to law school. And you'll see how the most dangerous lawyer is the one who switches sides from defending the polluters to protecting their victims.
Dark Waters accurately portrays "the swamp" that so many politicians rant against, but few rarely do anything to mitigate. The failures of the EPA and Congress. all due largely to the Republicans who for some reason feel that it's okay for industry to poison the American people as long as it's profitable. are stunning. You will learn how DuPont has been willfully poisoning us with Teflon coatings which it knew were carcinogenic way back in the 1970s. You'll see how DuPont issued a death sentence to its own employees as well as the residents of Parkersburg, WV with the waste from its manufacturing plant.
As an attorney, I can attest that this is the one film that really shows how demanding law can be - the seemingly never-ending, exhausting effort needed to bring DuPont to some semblence of justice. And you'll witness how at a law firm's partners meeting, the partners who haven't even read the briefs dump on the case out of their ignorance and arrogance. Fortunately, in this instance those fools did not prevail. Otherwise we'd all still be cooking on Teflon-coated pans which, when hot enough, produce the carcinogens that have caused countless cancers and deaths throughout the world.
If this film doesn't get you angry and determined to vote out of office the politicians who are eviscerating environmental protections, nothing will. It was a chilling reminder the morning after we saw Dark Waters that the headlines reported that the Trump administration was seeking to relax restrictions on deadly ethylene oxides. in response to lobbying by the same good folks that have been poisoning us for decades. They. and Trump. are the very swamp that Trump lied he would drain.
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Addressing the lacuna in scholarly work on the topic, this dictionary provides immense detail on a wide range of aspects of Turkish cinema including; prominent filmmakers, films, actors, screenwriters, cinematographers, editors, producers, significant themes, genres, movements, theories, production modes, film journals, film schools and professional organizations. Extensively researched, elaborately detailed and written in a remarkably readable style, the Routledge Dictionary of Turkish Cinema will be invaluable for film scholars and researchers as a reference book and as a guide to the dynamics of the cinema of Turkey. Turkish Cinema Publisher: Reaktion Books Size: 17, 65 MB Download: 433 Read Online: 663 Films often act as a prism that refracts the issues facing a nation, and Turkish cinema in particular serves to encapsulate the cultural and social turmoil of modern-day Turkey. Acclaimed film scholar Gönül Dönmez-Colin examines here the way that national cinema reveals the Turkish quest for a modern identity. Marked by continually shifting ethnic demographics, politics, and geographic borders, Turkish society struggles to reconcile modern attitudes with traditional morals and centuries-old customs. Dönmez-Colin examines how contemporary Turkish filmmakers address this struggle in their cinematic works, positing that their films revolve around ideas of migration and exile, and give voice to previously subsumed “denied identities” such as that of the Kurds. Turkish Cinema also crucially examines how these films confront taboo subjects such as homosexuality, incest, and honor killings, issues that have only become viable subjects of discussion in the new generation of Turkish citizens. A deftly written and thought-provoking study, Turkish Cinema will be invaluable for scholars of Middle East studies and cinephiles alike. Turkish German Cinema in the New Millennium Author: Sabine Hake Publisher: Berghahn Books Size: 23, 48 MB Download: 215 Read Online: 904 In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last two decades. In addition, it intervenes in the theoretical debates about Turkish German culture by engaging with different methodological approaches that originate in film studies. Mobility and Migration in Film and Moving Image Art Author: Nilgun Bayraktar Format Type: PDF Size: 23, 93 MB Download: 721 Read Online: 371 Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ayşe Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutluğ Ataman, Ursula Biemann, Ergin Çavuşoğlu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders. European Nightmares Author: Patricia Allmer Publisher: Columbia University Press Size: 16, 39 MB Download: 141 Read Online: 807 This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The essays employ a variety of current critical methods of analysis, ranging from psychoanalysis and Deleuzean film theory to reception theory and historical analysis. The complete volume offers a major resource on post-war European horror cinema, with in-depth studies of such classic films as Seytan (Turkey, 1974), Suspiria (Italy, 1977), Switchblade Romance (France, 2003), and Taxidermia (Hungary, 2006). Turkey Author: Eylem Atakav Publisher: Intellect L & D E F A E Format Type: PDF, ePub, Docs Size: 30, 81 MB Download: 304 Read Online: 849 This title is part of the 'Directory of World Cinema' series. It includes contributions from some of the leading academics in the field. It features film recommendations from a range of genres for those interested in watching more Turkish cinema. It includes full colour illustrations. It features comprehensive filmography as an index in the first English-language directory of Turkish films. Since the 1990s, filmmakers in Turkey have increasingly explored notions of gender, genre, cultural memory, and national and transnational identity. Taking these themes as its starting point, this book - the first English-language directory of Turkish films - provides an extensive historical overview of the country's cinema since the early 1920s. In chapters organized by genre - such as fantasy and science fiction, contemporary blockbusters, women's films, Istanbul films, and transnational or accented cinema - leading scholars of Turkish cinema offer reflections on the country's most important film movements and filmmakers. Fear Without Frontiers Author: Steven Jay Schneider Publisher: Fab Press Format Type: PDF, Mobi Size: 22, 53 MB Download: 791 Read Online: 414 This staggering anthology on horror cinema from around the planet includes essays, interviews and hard-to-find facts from an international collection of leading authorities on the world horror phenomenon. Including new work from renowned horror experts Kim Newman, Pete Tombs, Art Black, Mitch Davis, Pam Keesey, Travis Crawford, Ken Hanke and many more, FEAR WITHOUT FRONTIERS also includes interviews with legends of the genre such as Takashi Miike, Reggie Nalder, Nonzee Nimibutr, Jorge Molina, Juraj Herz and Sion Sono. The Rough Guide to Horror Movies Author: Alan Jones Publisher: Size: 27, 71 MB Download: 235 Read Online: 353 The Rough Guide to Horror Movies is a comprehensive guide to the world''s most terrifying films. The guide includes all the icons, from Boris Karloff to Wes Craven and Frankenstein to Freddie Kruger, including classics from Argentina, Pakistan, South Africa and the recent chillers from East Asia. The canon of fifty essential horror movies features The Cabinet of Dr Caligari and Switchblade Romance, via Psycho and The Exorcist. Everything you need to know is covered from festivals, adaptations, magazines and merchandise. The guide tells the stories behind the movies that have scared us throughout the twentieth century. Osian s Cinemaya Author: Osian's (Firm) Format Type: PDF, ePub Size: 19, 67 MB Download: 868 Read Online: 1264 Festival Book Author: Size: 25, 53 MB Download: 311 Read Online: 829.
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Karanlik Sular PDF EPUB Download 2013-12-04 in Performing Arts The Routledge Dictionary of Turkish Cinema Author: Gönül Dönmez-Colin Publisher: Routledge ISBN: Category: Performing Arts Page: 378 View: 107 DOWNLOAD NOW » The first critical and analytical dictionary of Turkish Cinema, this book provides a comprehensive overview of Turkish cinema from its beginnings to the present day. Addressing the lacuna in scholarly work on the topic, this dictionary provides immense detail on a wide range of aspects of Turkish cinema including; prominent filmmakers, films, actors, screenwriters, cinematographers, editors, producers, significant themes, genres, movements, theories, production modes, film journals, film schools and professional organizations. Extensively researched, elaborately detailed and written in a remarkably readable style, the Routledge Dictionary of Turkish Cinema will be invaluable for film scholars and researchers as a reference book and as a guide to the dynamics of the cinema of Turkey. 2008-11-15 Gönül Dönmez-Colin Turkish Cinema Identity, Distance and Belonging Publisher: Reaktion Books Page: 224 View: 1000 Films often act as a prism that refracts the issues facing a nation, and Turkish cinema in particular serves to encapsulate the cultural and social turmoil of modern-day Turkey. Acclaimed film scholar Gönül Dönmez-Colin examines here the way that national cinema reveals the Turkish quest for a modern identity. Marked by continually shifting ethnic demographics, politics, and geographic borders, Turkish society struggles to reconcile modern attitudes with traditional morals and centuries-old customs. Dönmez-Colin examines how contemporary Turkish filmmakers address this struggle in their cinematic works, positing that their films revolve around ideas of migration and exile, and give voice to previously subsumed “denied identities” such as that of the Kurds. Turkish Cinema also crucially examines how these films confront taboo subjects such as homosexuality, incest, and honor killings, issues that have only become viable subjects of discussion in the new generation of Turkish citizens. A deftly written and thought-provoking study, Turkish Cinema will be invaluable for scholars of Middle East studies and cinephiles alike. 2012-10-30 Sabine Hake Turkish German Cinema in the New Millennium Sites, Sounds, and Screens Author: Sabine Hake Publisher: Berghahn Books Page: 260 View: 574 In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last two decades. In addition, it intervenes in the theoretical debates about Turkish German culture by engaging with different methodological approaches that originate in film studies. 2015-12-07 Social Science Nilgun Bayraktar Mobility and Migration in Film and Moving Image Art Cinema Beyond Europe Author: Nilgun Bayraktar Category: Social Science Page: 214 View: 721 Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ayşe Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutluğ Ataman, Ursula Biemann, Ergin Çavuşoğlu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders. 2012-05-29 Patricia Allmer European Nightmares Horror Cinema in Europe Since 1945 Author: Patricia Allmer Publisher: Columbia University Press Page: 288 View: 298 This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The essays employ a variety of current critical methods of analysis, ranging from psychoanalysis and Deleuzean film theory to reception theory and historical analysis. The complete volume offers a major resource on post-war European horror cinema, with in-depth studies of such classic films as Seytan (Turkey, 1974), Suspiria (Italy, 1977), Switchblade Romance (France, 2003), and Taxidermia (Hungary, 2006). 2013 Eylem Atakav Turkey Author: Eylem Atakav Publisher: Intellect L & D E F A E Page: 215 View: 699 This title is part of the 'Directory of World Cinema' series. It includes contributions from some of the leading academics in the field. It features film recommendations from a range of genres for those interested in watching more Turkish cinema. It includes full colour illustrations. It features comprehensive filmography as an index in the first English-language directory of Turkish films. Since the 1990s, filmmakers in Turkey have increasingly explored notions of gender, genre, cultural memory, and national and transnational identity. Taking these themes as its starting point, this book - the first English-language directory of Turkish films - provides an extensive historical overview of the country's cinema since the early 1920s. In chapters organized by genre - such as fantasy and science fiction, contemporary blockbusters, women's films, Istanbul films, and transnational or accented cinema - leading scholars of Turkish cinema offer reflections on the country's most important film movements and filmmakers. 2003 Steven Jay Schneider Fear Without Frontiers Horror Cinema Across the Globe Author: Steven Jay Schneider Publisher: Fab Press Page: 319 View: 673 This staggering anthology on horror cinema from around the planet includes essays, interviews and hard-to-find facts from an international collection of leading authorities on the world horror phenomenon. Including new work from renowned horror experts Kim Newman, Pete Tombs, Art Black, Mitch Davis, Pam Keesey, Travis Crawford, Ken Hanke and many more, FEAR WITHOUT FRONTIERS also includes interviews with legends of the genre such as Takashi Miike, Reggie Nalder, Nonzee Nimibutr, Jorge Molina, Juraj Herz and Sion Sono. 2005-11-21 Horror films Alan Jones The Rough Guide to Horror Movies Author: Alan Jones Publisher: Category: Horror films Page: 277 View: 196 The Rough Guide to Horror Movies is a comprehensive guide to the world''s most terrifying films. The guide includes all the icons, from Boris Karloff to Wes Craven and Frankenstein to Freddie Kruger, including classics from Argentina, Pakistan, South Africa and the recent chillers from East Asia. The canon of fifty essential horror movies features The Cabinet of Dr Caligari and Switchblade Romance, via Psycho and The Exorcist. Everything you need to know is covered from festivals, adaptations, magazines and merchandise. The guide tells the stories behind the movies that have scared us throughout the twentieth century. 2005 Motion pictures Osian's (Firm) Osian's Cinemaya Author: Osian's (Firm) Category: Motion pictures Page: View: 516 2004 Film festival programs Festival Book Author: Category: Film festival programs Page: 256 View: 487 DOWNLOAD NOW ».
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Resume: A state always calls itself fatherland when it is ready for murder. FRIEDRICH DÜRRENMATT - Romulus the Great, act III (1956)
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