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  1. Publisher: Johan van Haersolte
  2. Biography: "And you may ask yourself, well How did I get here? Letting the days go by" (Talking Heads 1980)

Writed by - Hlynur Palmason. Audience Score - 887 votes. runtime - 1 h 49 minute. . Drama. user Ratings - 7,5 of 10 Star. Watch free hv c3 adtur 2c hv c3 artur dagur remix. Watch free hv c3 adtur 2c hv c3 artur dagur reaction. Wednesday lookin a bit THINN 😩😩💦💦. Watch free hv c3 artur 2c hv c3 adtur dagur for sale. Watch free hv c3 artur 2c hv c3 adtur dagur driver. I JUST realized the addams theme is the Days of the week song So much makes sense.

Viljið þið vinsamlegast setja þetta inná spotify. Obituary Lübeck, 29. 11. 19 - The Nordic Film Days Lübeck mourn the death of the lawyer and author Dr. Hauke Lange-Fuchs, born in 1934. He was  one of the festival’s organisers for many years from 1971 to 2008. More A successful 61st Nordische Filmtage Lübeck matches last year’s audience numbers Lübeck, Nov. 4, 2019. Festival directors Linde Fröhlich (artistic director) and Florian Vollmers (festival manager) were upbeat as a successful 61st Nordische Filmtage come to close after six days yesterday. With 36, 000 cinemagoers, the festival matched last year’s audience numbers for films from north and north-eastern Europe. “We are very pleased to have matched the numbers of our anniversary last year”, said Florian Vollmers, “We sold 1, 000 more tickets, which gave a small boost to revenues, while industry visitors took greater advantage of our extensive side-bar programme”. The numerous visitors to the successful new event “Wissensglobus”, which was presented at the Fulldome cinema with the cooperation of Lübeck’s cultural affairs department, were not included in the festival’s statistics. “Last year, the holiday Reformation Day and the Saturday were clearly the strongest festival days and we’re happy that the Nordische Filmtage Lübeck once more proved its mettle as one of the most significant events on the city’s calendar”, added Vollmers. A total of 196 films were shown this year in 283 screenings (previous year: 331). More The Fulldome programme – Dive into mystical underwater worlds and the life of loveable animated sea dwellers Lübeck, Oct. 29, 2019. “The Fulldome cinema of the Nordische Filmtage Lübeck has re-invented itself once again! With the larger mobile dome, at 15 metres in diameter, we will now be showing films over the entirety of Klingenberg square. The bigger, wraparound screen has improved quality of projection and sound to enthral audiences of up to 100 people. With this year’s motto for the Fulldome cinema programme, the dome will become a virtual (under)water world! ”, says Ralph Heinsohn, curator of the 360° films / immersive media section. More Strong partners and loyal supporters for the 61st Nordische Filmtage Lübeck Lübeck, Oct. 28, 2019. Tomorrow marks the start of the 61st Nordische Filmtage Lübeck, which will present 196 different films in 283 screening over six days. The NFL is the largest festival on the European continent devoted to films from the northern and Baltic countries, and northern Germany. “We would like to thank our strong partners and loyal supporters who have worked with us to make the 61st Nordische Filmtage Lübeck possible”, says festival manager Florian Vollmers, “We have a broad base and work with a variety of fans of the festival, from international subsidy organisations, cultural foundations, and private donors, to with regional sponsors”. More International Guests at 61st Nordische Filmtage Lübeck Every year numerous directors, actors and producers from Northern and North-Eastern Europe come to Lübeck to present their films at the Nordic Film Days and to talk to the audience. A list of this year's film screenings, where guests are present, is now available for download. More The Filmforum at the 61st Nordische Filmtage Lübeck – Stories of life and lively stories Lübeck, Oct. 24, 2019. For more than 30 years now, the Filmforum has served as a platform for films from northern Germany at the Nordische Filmtage Lübeck. At this year’s 61st festival (Oct. 29 – Nov. 3, 2019), the section will present a total of 44 narrative, documentary, and short films. The selection includes some unusual documentaries and narratives from young, up-and-coming filmmakers, as well as new works by well-known directors to inspire audiences. Many of the films go in search of the past, tackle historical subjects, or family histories; but the range also encompasses a merry Christmas movie for the whole family. More The Programme of the 61st Nordische Filmtage Lübeck – Big names and new discoveries in the Competition section Lübeck, Oct. 17, 2019. Works by well-known directors and fascinating newcomers from the Scandinavian and Baltic countries will rendezvous at the 61st Nordische Filmtage Lübeck. The full festival programme, competing for prizes with a total endowment of 52, 500 euros, was presented today at a press conference at the Radisson Blu Senator Hotel in Lübeck by festival directors Linde Fröhlich (artistic director) and Florian Vollmers (festival manager), joined on the dais by the curators of the various festival sections. On the six days from Oct. 29 to Nov. 3, there will be 283 screenings of a total of 196 films, providing a detailed and compelling look at the current state of filmmaking in the north and northeast of Europe. More Variety is the hallmark of the Children and Youth programme – Encounters between the digital world and nature, political subject matter, and prominent premieres Lübeck, Oct. 11, 2019. “The Children’s and Youth films at the 61st Nordische Filmtage Lübeck display are marked by the topicality of their subject matter. Serious topics have been made into innovative and entertaining movies, both in the live-action and in the animated films for young people”, says Franziska Kremser-Klinkertz, the section curator. This year’s programme comprises a total of 37 films, 18 features and 19 short films. As in every year, the section includes numerous premieres, underscoring the NFL’s great significance as a forum for Nordic and Baltic films for the international children’s and youth film industry. More Opening night – The 61st Nordische Filmtage Lübeck shows “Swoon” On October 29, 2019, the 61st Nordische Filmtage Lübeck will open with the German premiere of the Swedish film “Swoon” (orig: Eld och Lågor, 2019) directed by Måns Mårlind and Björn Stein. With “Swoon”, the directors of “Midnight Sun” (2016) and co-authors of the internationally acclaimed series “Bron/Broen” (“The Bridge”) present a visually spectacular, romantic, and entertaining film with magical musical elements and surprising special effects. “Swoon” takes us back to 1940s Stockholm, telling a touching Romeo and Juliet story, based on real events, set in the milieu of a fun fair. The film features a brilliant cast headed by newcomers Frida Gustavsson and Albin Grenholm in the top roles. Additional roles are played by Pernilla August and Robert Gustafsson (of “The 101-Year-Old Man Who Skipped Out on the Bill and Disappeared”). The directors and additional guests will attend the screening. The film was produced by Kristina Åberg (Atmo AB, Sweden), World sales are handled by TrustNordisk ApS. More Retrospective: Undercover North/Northeast, Spies and Secret Agents in Scandinavian and Baltic Cinema 1913-2012 – Suspenseful films from the Baltic Rim against a backdrop of contemporary history September 17, 2019. The Retrospective of the 61st Nordische Filmtage Lübeck (Oct. 3, 2019), titled Undercover North/Northeast, Spies and Secret Agents in Scandinavian and Baltic Cinema, takes a look far into the past in a section comprising 17 films (15 features and two mid-length films). The section will screen films made between 1913 and 2012 in Denmark, Germany, Finland, Norway, and Sweden, as well as in what were the Soviet socialist republics of Latvia and Estonia, and Lithuania during the same era. And the spy capers are not confined to just thrillers – the films include dramas, melodramas, comedies, satire, and period films. Surprisingly, women have pride of place in many of the films, actively engaged in intelligence operations. More WELCOME - Our new team members A very warm "Willkommen, welcome, velkommen, tere tulemast, tervetuloa, velkomin, laipni lūdzam, sveiki atvykę, välkommen, wolkom, willkamen" to our new team members Lea, Clara, Hannah, Karen, Marietta, Karolina, David und Wim. More Team news and first insights on Retrospective program 2019 Lili Hartwig is the new director of the Filmforum section of the Nordic Film Days Lübeck. The 37-year-old cultural studies graduate and festival curator is taking over from Doris Bandhold, who headed up the Filmforum for eight years, shepherding it to the position it now occupies. More Press Release: The 60th Nordic Film Days Lübeck scores another hit The 60th Nordic Film Days Lübeck drew to a close yesterday, with festival directors Linde Fröhlich (artistic director) and Florian Vollmers (managing director) expressing great pleasure at the results. The total number of visitors this year increased to 36, 000, giving the festival another boost. More At Tuesday’s opening of the Nordische Filmtage Lübecks Lübeck (Oct. 30 – Nov. 4, 2018), moderator Mille Maria Dalsgaard from Denmark, making her first appearance at the festival, presented introduced to the Lübeck audience six members of the Estonian crew behind the opening night film “The Little Comrade” (Seltsimees laps). More The prize winners of the 61st Nordische Filmtage Lübeck – With “A White, White Day” the NDR Film Prize once again goes to Iceland – Mika Kaurismäki takes the Audience Prize Lübeck, Nov. 2, 2019. The NDR Film Prize of the 61st Nordische Filmtage Lübeck, endowed with € 12, 500, goes to an Icelandic film. During the Prize Gala at Theater Lübeck, lead actor Ingvar E. Sigurðsson accepted the award on behalf of “A White, White Day” (“Hvítur, hvítur dagur”), directed by Hlynur Pálmason. The distributor Arsenal will release the film theatrically in German beginning February 13, 2020. The Friends of the Nordic Film Days Prize for Best Feature Debut, endowed with €7, 500, goes to “Aurora” directed by Miia Tervo from Finland. The film’s star, Mimosa Willamo, was onstage to accept the award. The Audience Prize, endowed by the Lübecker Nachrichten newspaper with €5, 000, also went to a film from Finland, director Mika Kaurismäki’s “Master Cheng” (“Mestari Cheng”). The award was accepted by lead actress Maija Tuokko. More.

Interesting editing and use of Leonard Cohen's song "Memories." The reference to Schumann's wife and Brahms is appropriate and interesting. Gripping. Watch free hv c3 adtur 2c hv c3 artur dagur new. Watch free hv c3 artur 2c hv c3 adtur dagur test. Á þetta þess vegna að vera gott lag. It's so overt. It's covert. Watch free hv c3 artur 2c hv c3 adtur dagur review.

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Watch free hv c3 artur 2c hv c3 adtur dagur 2016. Strange, there's usually a murderous clown attached to the end of these. IT'S STILL AFTER FINN SAVE HIM. "For some reason, she was always enough for me."
Hvíter Hvíter Dager, Iceland's Oscar entry for Best Foreign Film this year, is a quiet, mature look at grief and memory. It is about a man who carries within him a love so pure, he struggles to understand anything else. It is about refusing to let go of the version of someone you want to hold onto forever.
The narrative slowly unravels like a novel as themes are explored through nuance and metaphor. The delicate dealing with love lost recalls Lee Chang-dong's Secret Sunshine and Céline Sciamma's Portrait de La Jeune Fille en Feu, regarding the myth of Orpheus and Eurydice. The cinematography, shot in a noticeably textured 35mm, is peculiar in the way it involves the setting and keeps us a certain physical distance from the characters. I think Michael Haneke would be proud of this film.
The central character Ingimunder's relationship with his granddaughter Salka serves the film in predictable but endearing ways. Strong child acting is often taken for granted, but Ída Mekkín Hlynsdóttir's performance is far from typical. It is also a testament to both fine direction (Hlynur Palmason) and strong casting because the two leads are almost irreplaceable and truly contribute to make the film something special.
A White, White Day is enriched by its simplicity and singularity as it takes on heavy themes. The characters are real, the story is thoughtfully restrained, and the ending is remarkable. One of the more memorable films of the year.

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